Ahead of his celebration of Max Roach, trumpeter Charles Tolliver talks to Gabriel Bristow about playing alongside the ...

The 14 November edition of The Wire ’s weekly broadcast on Resonance FM and Resonance Extra featured tracks by Moin, Bridget ...

The annual Berlin based festival celebrates its upcoming edition with a selection of countercultural Latin sounds mixed by ...

To accompany her report on Les Disques Lexi in The Wire 490, Claire Biddles selects music from the back catalogue of the ...

Read an interview with the late composer Bernard Parmegiani, by Rahma Khazam. First published in The Wire 176, October 1998. Bernard Parmegiani is not the first name that springs to mind when the talk ...

After David Naegele’s departure, David Storrs had little connection with Valley Of The Sun, as replacement music director Robert Slap’s sensibilities skewed more towards the commercial, progressive ...

This is another shepherd's melody from the Balkans adapted to the violin of Alexis Zoumbas. Probably the saddest 78 that I own. Recorded in New York City in 1928.

Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith Clarissa ...

Dan Wilson's article on Daphne Oram, co-founder of the BBC Radiophonic Workshop and inventor of the Oramics machine, is in The Wire 330.

Subscribers: read this issue online. Subscribe to the magazine. Buy issue 488. Inside our brand new issue: Keiji Haino: From Black Blues to grey hairs, the Fushitsusha figurehead keeps pushing into ...

Darren Cunningham’s supple, warm, second album of ‘R&B concrète’ was equal parts pop constructivism and humid club compulsiveness. Informed as much by 1980s pop as House and Techno, his meticulous ...

Stream two tracks from Aleksi Perälä's forthcoming release using the Perälä and Grant Wilson-Claridge's custom musical scale, the Colundi Sequence. Perälä and Wilson-Claridge's creation is covered by ...