In the early 20th century, an international circle of friends came together to push the boundaries of art. Formed in Munich in 1911, The Blue Rider were a community of painters, performers and ...

In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...

The term hyper-realism appeared in the early 1970s to describe a resurgence of particularly high fidelity realism in sculpture and painting at that time ...

Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

Robert Bevan and Stanislawa de Karlowska settle at 14 Adamson Road in the Swiss Cottage area of London. Albert Rutherston contributes two pictures to the New English Art Club and meets Walter Sickert ...

The Camden Town Group was composed of sixteen artists, judged by an inner core to be ‘the best and the most promising of the day’. Controversially, women were not allowed to join, though they formed ...

This paper discusses a collaboration between Brazilian artist Rivane Neuenschwander and four primary schools in London. It addresses the challenges and questions raised by participatory art practices ...

FIGGY GUYVER Your work often investigates local histories. Where did your research lead you during your residency at Porthmeor Studios in St Ives? CANSU ÇAKAR My background is partly in historiography ...